December 2023


Posted December 1, 2023. Updated on December 13.

Contents

  • The Cinema Lounge ONLINE
  • Lawmen Bass Reeves at the MPA
  • An Hour with Christopher Nolan
  • The 67th BFI London Film Festival
  • We Need to Hear From You
  • Calendar of Events

    Last 12 issues of the Storyboard.



    The Cinema Lounge

    On Monday, December 18, 2023 at 8:00pm please join the Cinema Lounge, the DC Film Society's monthly film discussion group.

    TOPIC: The Workplace on Film

    Most of us spend at least 40 hours a week in the workplace, be it physical or virtual. Films have examined many different workplaces, from the factories to the offices. They can be funny, such as 9 to 5, Office Space or Horrible Bosses. They can also be dead serious like Glengarry Glen Ross, Norma Rae, or The Assistant. Or they can have humor and pathos, as Working Girl and Up in the Air did. What do these and other workplace films say to us? What do they tell us about the way we work?

    Please RSVP to atspector@hotmail.com and you'll get the Zoom link 1-2 days before the discussion.

    The Cinema Lounge, a film discussion group, meets the third Monday of every month (unless otherwise noted) at 8:00pm online via Zoom. You do not need to be a member of the Washington DC Film Society to attend. Cinema Lounge is moderated by Adam Spector, author of the DC Film Society's
    Adam's Rib column.



    An Invitation to Attend a Reception and Screening of Lawmen: Bass Reeves featuring Actor David Oyelowo at the Motion Picture Association

    By Cheryl L. Dixon, DC Film Society Member

    Membership has its privileges. On November 13, 2023, Film Society members were invited to attend a pre-reception, followed by a screening of Episodes 1 & 2 of Lawmen: Bass Reeves on Paramount+, remarks from Congressman Marc Veasey (D-TX), and a Q&A hosted by CBS Mornings Michelle Miller at the Motion Picture Association (MPA). The panel initially included the series Creators, but thanks to ending of the SAG-AFTRA strike, Actors David Oyelowo and Lauren E. Banks were also participants. Lawmen: Bass Reeves tells the true story of Bass Reeves, masterfully portrayed by Oyelowo, a legendary lawman (officially U.S. Deputy Marshal – he was one of the first Black men to hold such a position), a former slave, who served in the Civil War, with a love for his family and dedication to equal justice under the law. This series chronicles his rise from slavery to freedom and the remarkable ability to wear a badge and carry a gun enforcing the law in the Wild West (Indian Territory in Arkansas and Texas) during Reconstruction. Reeve’s outstanding record of arrests, and his heroic ability to ensure fairness amongst the diverse populations, including Indians, immigrant settlers, and freedmen, are rumored to have him considered the real-life inspiration for the fictional Lone Ranger character. A little-known, and heretofore untold story, is now here for us to enjoy, and is currently streaming on Paramount+.


    The Reception

    It’s always a pleasure to attend screenings at the MPA, especially considering the moment of the ending of the Actor’s strike, as the MPA is the union representing Hollywood before Congress. Invited guests mingled in the Lobby and shared knowledge of the series, including that David Oyelowo (Selma) and Taylor Sheridan (1883) were the Executive Producers, and the stellar cast also included Dennis Quaid, Moses Brings Plenty, Donald Sutherland, Lauren E. Banks, and Barry Pepper. After viewing the Hollywood artifacts, larger than life, big-screen electronic images of the show, and indulging in delicious hors d’oeuvres and signature cocktails, it didn’t take long for us to see David Oyelowo in the mix. So, of course, we sauntered over, introduced ourselves, and got our selfies. I thanked him for taking the helm on this project and we chatted briefly about other subjects, including doing Christmas shopping at the National Museum of African-American History and Culture. Then, it was showtime, with complimentary popcorn, and the comfort of lush, plush theatre seats.


    The Screening

    Out of the background of slavery, post-slavery Reconstruction, and westward movement infringing on Indian lands, emerged the fascinating story of Bass Reeves, as mentioned previously one of the first Black U.S. Marshals. The first two episodes introduce us to the character, initially enslaved, his family, and the context in which he lived post-slavery, taking advantage of the fleeting opportunities available for freed men. David Oyelowo’s portrayal of Bass Reeves is sensitive and nuanced. He captures the great love of his character for his family, his respect for the dignity of the Indians, learning and speaking their languages, and his quest for fairness and equality. Everyone had equal access under the law. He also demonstrates that Reeves was no pushover, we understand that he bravely fought in gun battles, and never shied away from a fight.


    The Q&A


    Congressman Marc Veasey (D-TX) provided some introductory remarks about Reeves and his contributions. He spoke of nostalgia, his love of Westerns like “The Rifleman” and “Gunsmoke”, filming in Texas, and tax credits offered for filming there. Moderator Michelle Miller then deftly asked several hard-hitting questions from the panelists: Chad Feehan, Creator & Executive Producer; Damian Marcano, Director; David Oyelowo (Actor); Sidney Thompson (Historical Consultant); and Lauren E. Banks (Actor).

    From these, the audience learned that Oyelowo always wanted to ride a horse and was thrilled with the opportunity to learn how to ride for this role, and that bringing this story to fruition took eight years. The image of a family man, riding a horse, holding a gun, being rough and tough invoked heroic cowboy images of yesteryear that many of us grew up with. We learned that the series was shot in Fort Worth, Texas, that Reeves grew up in Arkansas and that he initially served in the Civil War on the Confederate side, as he accompanied his owner. He also ran away, temporarily leaving his wife and children, and eventually lived free at a Trading Post, circa 1865, in what was then known as Indian Territory, where eventually he learned to speak several Indian languages. A lot of written information on his life is available, and two of his qualifications for the position of Deputy U.S. Marshal were that he was somebody who “knows Choctaw and can shoot.” He was a farmer. My favorite questions posed by Miller were to ask about “pinch me, serendipity, divine intervention” moments and to ask how working on the series had changed them (was there a connection to the ancestors?). Attendees weren’t able to ask any questions, however, I would have asked about the preparation for the role (was there a study of photographs, books, historical records, journals/diaries?).


    Conclusion

    This is a well-researched, high-quality production with superb acting and careful attention to historical accuracy and details in the sets, costume design, hairstyles, etc. The complex challenges and triumphs of the post-Civil War, Reconstruction era experienced by the Indians, freedmen, Asians, and settlers, including immigrants, in their westward movement and the plight of Indians with claims on their native lands are on full display here. Sensitive issues, these, that remain challenges today. Go see this series to learn more about this pivotal period in American History. It’s an American story, well-told. Currently streaming on Paramount+. See
    the website.



    An Hour with Christopher Nolan

    By Adam Spector, DC Film Society Member

    Not often do you get the chance to see an in-person conversation with one of this generation’s most acclaimed filmmakers. On November 16, the DC Film Society got that chance thanks to the Washington Post, which hosted a conversation with Christopher Nolan and Post writer Jada Yuan. Nolan focused on his most recent hit, Oppenheimer, in part to plug both the upcoming Blu-Ray and Yuan’s behind the scenes book on the making of the film. Yuan’s grandmother worked on the Manhattan Project, giving the conversation added resonance. The most illuminating question came at the end when he was asked about his fascination with time. Nolan explained that it came from growing up watching movies on a VCR and being able to stop and go back, which made him think about how movies can change to concept of time. The Post’s summary of the discussion along with an audio recording,
    is available here.



    The 67th BFI London Film Festival

    By Ron Gordner, DC Film Society Member

    The 67th BFI London Film Festival sponsored by American Express was held October 4-15, 2023. The festival originated in 1957 and is somewhat a festival of festivals since it has many of the better films not yet released from earlier important film festivals. A number of world premieres and bevy of British films are usually offered also. An expanded list of 252 films included some online screenings, 29 world premieres, red carpets, screen talks, and special programs. This year there were a record 430,500 physical attendance in 12 days involving 9 partner cinema venues within the United Kingdom and online. Occupancy per screen averaged 90% and 39% of the films had female director involvement.



    Categories or Sections of films included: Headline and Strand Galas, Special Presentations, Competitions, Love, Debate, Laugh, Thrill, Cult, Journey, Create, Family, Treasures, and Experimental films with smaller samples of films and highlighted films directed or co-directed by women and minorities. The LFF Expanded Immersive Arts also showcased 14 projects from a variety of countries showing at the Bargehouse at Oxo Tower Wharf.

    Kathy Matheson completed her first year as new festival direct at the helm. In-person tickets were about 10 pounds each and available for only about 5 pounds for 18-25 year olds, and usually some complimentary access for young film students. Some free films are also available on the BFI YouTube. A number of industry and media programs and special event speakers were also available. Screen Talks were presented with interviews with Kitty Green, Andew Haigh, Lulu Wang, and Martin Scorsese.


    MUST SEE FILMS:

  • All of Us Strangers (Andrew Haigh; United Kingdom; 2023). Adam (Andrew Scott) is a writer in London and meets the other neighbor Harry (Paul Mescal) in the new high rise apartment building. Somehow unknown, Adam begins visiting his home with his parents who have long ago died but as an adult. A personal story of coming out to his parents long gone and the possibility of a new relationship unfolds.

  • The Boy and the Heron (Hayao Miyazaki, Japan; 2023). Perhaps the last film by master Miyazaki, it is an adaptation of the novel How do You Live? During World War II a boy moves with his father from the city to a rural area with a factory making war planes. The boy is lonely and explores the region which includes an abandoned tower and he keeps seeing a strange looking heron. Like his other animated films this one also has wonderful characters, colors, movement and wonderment.

  • Evil Does Not Exist (Ryusuke Hamaguchi; Japan.; 2023). The latest film from the writer/director of Drive My Car (Best International Feature Oscar 2022), takes place in a forested rural area of Japan where the balance of the environment and encroaching business and future development are threatened. Told through the eyes of Takumi and his 8 year old daughter Hana who seems to have a strange bond with nature itself.

  • The Holdovers (Alexander Payne; U.S.; 2023). Centered in Barton, a private New England boys school, a few students are holdovers to stay at the school over the Thanksgiving vacation. Professor Hunham is stuck with a small group of boys, the school cafeteria manager, and thinks they are better served starting to read the next term’s assignments. Conflict especially with student Angus who has been expelled from other schools begins but this may become a holiday favorite in the future.

  • Killers of the Flower Moon (Martin Scorsese, U.S.; 2023). Based on the bestselling book and some real events, 1920s Osage Nation killings of newly oil rich members by white greedy officials stars Lily Gladstone, Leonardo DiCaprio, Robert De Niro, Jesse Plemons and can be seen later on Apple TV+.

  • Maestro (Bradley Cooper, U.S.; 2023). Cooper directs and stars in the film about Leonard Bernstein. Beautiful sets and co-starring Carey Mulligan, it follows his life after World War II and 30 year marriage. The film was made with the consent of Berstein’s three children and weaves through his professional and private lives. It will be on Netflix later after theatrical screenings.

  • One Life (James Hawkes, United Kingdom; 2023). The story is about Nicholas Winton, who with his mother helped create the Kindertransport during World War II that saved 669 children by transporting them from Prague to England. He is played by young Johnny Flynn in later life by Anthony Hopkins.

  • Perfect Days (Wim Wenders, Japan; 2023). German auteur director Wenders has a delicate character study of the daily life of Hirayama (Koji Yakusho -best actor at Cannes), who is a unassuming public toilet cleaner with his own simple cultural fulfilled life. The film is Japan’s submission for Oscar Best International Film.

  • Poor Things (Yorgos Lanthimos; United Kingdom; 2023). Greek absurdist director Lanthimos (The Favourite, The Lobster) finds Victorian England and after the suicide of a young girl, a scientist regenerates her as young woman with no knowledge of the world and must clumsily or crazily discover or rediscover life. Emma Stone plays the hapless Bella in a shocking yet poignant character study.

  • Saltburn (Emerald Fennell, United Kingdom; 2023). The Opening Gala has nerdish young Oxford student Oliver (Barry Keogh) strangely being befriended by the aristocratic handsome Felix (Jacob Elordi who also plays the lead in Elvis) and is invited to his palatial home for the summer in a sarcastic look at the eccentricities of higher British society in a film that reminded me somewhat of the film The Talented Mr. Ripley.

  • Zone of Interest (Jonathan Glazer, U.S./United Kingdom/Poland; 2023). Winner of the Grand Prix at Cannes, the film centers on the daily life of the Auschwitz commandant and his wife Hedwig (Sandra Huller) at their seemingly serene home outside the walls of the concentration camp. This is the U.K.’s submission for Oscar Best International Film and also will have a screening at the European Union Film Showcase at the AFI Silver Theater in December.


    VERY GOOD FILMS:

  • Anselm (Wim Wenders, Germany; 2023). A second Wenders film, a two year filmed documentary of the larger than life artist and his huge installations, his philosophy, working processes. It will show also at the European Union Film Showcase at the AFI Silver Theater in December.

  • Blackbird Blackbird Blackberry (Elene Naveriani, Switzerland/Germany/Georgia; 2023). Etero is a small shop owner in a rural Georgian village, now in her late 40s, unmarried and a nonconformist compared to her friends and neighbors, but fate may change her life.

  • Catching Fire: The Story of Anita Pallenberg (also known as Anita) (Alexis Bloom, Svetlana Zill, U.S.; 2023). A documentary on the 1960-70s rock and roll icon based on her memoirs and narrated by Scarlett Johansson. She was married at one time to Keith Richards of the Rolling Stones.

  • Les Indesirables (Ladj Ly, France/Belgium; 2023). Another thrilling provocative film addressing the political tensions in France between the establishment, police and minority communities.

  • The Killer (David Fincher; U.S.; 2023). Based on a graphic novel about a paid assassin played by Michael Fassbender who finally makes a mistake and must pay for it Available also on Netflix.

  • The Kitchen (Kibwe Tavares, Daniel Kaluuya, United Kingdom; 2023). The closing night gala is based in 2040 London where one man struggles to leave the Kitchen which is a run down estate under possible demolition in a world of haves and have nots. Conflicting values of gentrification versus community and family are presented in stark reality.

  • Lubo (Giogi Diritti, Italy/Switzerland; 2023). Lubo (Franz Rogowski) is a travelling performer with his family in 1930s Switzerland and is forcibly conscripted into the Swiss military, his children separated by the state elsewhere. Lubo reinvents himself several times and tries to find where his children.

  • NYAD (Elizabeth Chai Vasarhelyi, Jimmy Chin, U.S.; 2023). A biopic on Diana Nyad who wants to swim between Cuba and Florida at an advanced age. Annette Benning plays Nyad and Jody Foster plays her friend and coach Bonnie. Available on Netflix.

  • Our Body (Claire Simon France; 2023). A fascinating composite of many patients experiences in a Parisian OB GYN specialty.

  • The Pigeon Tunnel (Errol Morris , United Kingdom; 2023). Errol Morris intriguing interview and concept film about John Le Carre and his early life and writings. Available also on Apple TV+.

  • Stolen (Karan Tejpal, India; 2023). A poor tribal woman in rural India has her infant stolen and a thrilling road trip follows to try and find her child and take her back.

  • That They May Face the Rising Sun (Pat Collins, Ireland/United Kingdom; 2023). Based on John McGahem’s novel of a couple that returns to their rural Irish town in the 1980s that reflects the warmth and bonds of family and community and the gentle rhythm of the land and daily life.


    GOOD FILMS:

  • Black Dog (George Jacques, United Kingdom; 2023). After Sam is robbed he meets Nathan and they agree to a road trip North where their individual stories slowly unfold and friendship is possible.

  • Gassed Up (George Amponsah, United Kingdom; 2023). Young Ash and his friends graduate from petty theft to a gang and robbery tasks and threats they or their families cannot escape in this nail biter thriller.

  • The Goldman Case (Cedric Kahn, France; 2023). Based on the chronicles of the Goldman case who was a left-wing radical convicted oddly on a number of robberies and homicides investigating later the issues of racism and politics involved.

  • High and Low - John Galliano (Kevin Macdonald, France/U.S./United Kingdom; 2023). A documentary on the famous fashion designer who fell from grace after a drunken tirade and anti-Semitic remarks.

  • The Nature of Love (Monia Chokri, Canada/France; 2023). Sophie is a 40 year old professor who falls for her handsome construction builder but social class differences and his family’s opinions may make it a short affair.

  • On the Adamant (Nicolas Philiber, France/Japan; 2023). An interesting documentary about a day in the mental health center on the Seine and its staff and patients. It won the Golden Bear at this years Berlin Film Festival and will be at the AFI's EU Showcase in December.

  • Paradise is Burning (Mika Gustafson, Sweden/Italy/Denmark/Finland; 2023). Mother is off again and missing while her 3 daughters try to cope with school, obtaining money, food, and fending off social services.

  • The Rye Horn (Jaione Camborda, Spain/Portugal/Belgium; 2023). A midwife in Franco’s Spain in Galacia must decide what she can or must do and possible consequences. Winner of the Golden Shell at this year’s San Sebastian Film Festival.

  • The Taste of Mango (Chloe Abrahams, U.S./United Kingdom; 2023). A documentary about 3 generations of women from London back to Sri Lanka and the bonds that they share.

  • Terrestrial Verses (Ali Asgari, Alireza Khatami, Majid Salehi, Gouhar Keir Andish, Sadaf Asgari, Iran; 2023). Several scenarios, sad and funny at the same time, showing the bureaucracy and coercion placed in many daily interactions including job interviews. The plight of women in society especially is shown.


    Award Winners:

    Official Competition Winner, Best Film:
    Evil Does Not Exist (Ryusuke Hamaguchi, Japan; 2023).

    First Feature Competition (Sutherland Award): Paradise is Burning (Mika Gustafson, Sweden/Italy/Denmark/Finland; 2023).

    Audience Award: Feature: Gassed Up (George Amponsa, United Kingdom; 2023). Documentary: The Taste of Mango (Chloe Abrahams, United Kingdom/U.S.; 2023).

    Documentary Competition Winner: (Grierson Award): Bye Bye Tiberias (Lina Soualem, France/Belgium/Palestine/Qatar; 2023).

    Short Film Competition Winner, Best Short Film Award: The Archive-Queer Nigerians (Simisolaoluwa Akande,United Kingdom; 2023).

    Best XR/Immersive Art Film: Murals (Alex Topaller, Daniel Shapiro, Artem Ivanenko, Poland/Ukraine/U.S.; 2023).

    See
    the website for more information.




    We Need to Hear From YOU

    We are always looking for film-related material for the Storyboard. Our enthusiastic and well-traveled members have written about their trips to the Cannes Film Festival, Karlovy Vary Film Festival, London Film Festival, Venice Film Festival, Telluride Film Festival, Toronto Film Festival, Austin Film Festival, Edinburgh Film Festival, the Berlin Film Festival, the Palm Springs Film Festival, the Reykjavik Film Festival, the Munich Film Festival, the Virginia Film Festival, the Locarno Film Festival, The Nitrate Picture Show, and the Chicago Critics Film Festival. We also heard about what it's like being an extra in the movies. Have you gone to an interesting film festival? Have a favorite place to see movies that we aren't covering in the Calendar of Events? Seen a movie that blew you away? Read a film-related book? Gone to a film seminar? Interviewed a director? Taken notes at a Q&A? Read an article about something that didn't make our local news media? Send your contributions to Storyboard and share your stories with the membership. And we sincerely thank all our contributors for this issue of Storyboard.



    Calendar of Events

    FILMS

    American Film Institute Silver Theater
    "AFI Silver After Dark" is a new series of midnight-style movies. The December film is the animated Fantastic Planet (Rene Laloux, 1973) from Czechoslovakia.

    "The 2023 AFI European Union Film Showcase" (November 30–December 19), in its 36th year, brings international film festival award winners, European box office hits and debut works by promising new talents, plus many countries' official Oscar submissions for Best International Feature Film. The Opening Night film is The Taste of Things from France and the Closing Night film is Creatura from Spain. All 27 EU countries are represented. See the website for passes, film titles, and more information.

    "Holiday Classics" (December 17-24) is a popular series of holiday films, some of which will be introducecd by Jeremy Arnold, author of "Christmas in the Movies." Some films have special prices for kids or late-night shows. Not all cartoons listed are shown at each screening. Titles are The Muppet Christmas Carol (1992) preceded by a Tom and Jerry cartoon The Night Before Christmas (1941); It's a Wonderful Life (1946); Elf (2003) preceded by the cartoon Gift Wrapped (1952); Love Actually (2003) followed by bonus cast commentary; Trading Places (1983); Bad Santa (2003); Die Hard (1988); Cover Up (1949); The Lion in Winter (1968) in a 4K restoration; and The Curse of the Cat People (1944).

    "Anime Expo Cinema Nights" (November 8-February 11) features new and classic anime films. December's film is Tokyo Godfathers (Satoshi Kon, 2003) in a new 20th anniversary 4k restoration.

    Freer Gallery of Art
    On December 13 at 2:00pm is Demon Pond (Masahiro Shinoda, 1979), part of the "Japanese Classics" series.

    On December 1 at 7:00pm is a concert film Ryuichi Sakamoto: async Live at the Park Avenue Armory (Stephen Nomura Schible, 2018). On December 3 at 2:00pm is the documentary Ryuichi Sakamoto Coda (Stephen Nomura Schible, 2017). On December 10 at 2:00pm is Merry Christmas Mr. Lawrence (Nagisa Oshima, 1983) in which Ryuichi Sakamoto acted and wrote the music score.

    National Gallery of Art
    The series "Celestial Voices on Film" begins December 2 at 2:00pm with Maria by Callas (Tom Volf, 2018), a documentary about the legendary soprano in her centennial year. On December 17 at 2:00pm is Ever Deadly (Tanya Taqaq and Chelsea McMullen, 2023) about Inuk throat singer Tanya Tagaq. On December 23 at 2:00pm is The Magic Flute (Ingmar Bergman, 1975). On December 30 at 2:00pm is Diva (Jean-Jacques Beineix, 1982).

    On December 3 at 2:00pm is the 2023 Rajiv Vaidya Memorial Lecture, an annual film program lecture and screening event. This year's program "Sky Hopinka: Wandering Translations, Poems, and Film" includes short films and conversation with Sky Hopinka.

    "Skip Norman: Here and Now" is a two-part program on American filmmaker, cinematographer and photographer Skip Norman. On December 9 at 2:00pm is Black Man’s Volunteer Army of Liberation (1970) shown with two short films On Africa (1970) and Washington D.C. November 1970 (1970). Introduced by Jesse Cumming. On December 10 at 2:00pm is Wilmington 10 - U.S.A. 10,000 (Haile Gerima, 1979).

    On December 16 at 2:00pm is a program of short films by Maryam Tafakory. Part of the Art Films and Special Screenings series. Maryam Tafakory will be present for discussion.

    All are in the East Building Auditorium. Registration is required.

    Museum of American History
    On December 14 at 6:15pm the newly renovated Warner Bros. Theater at the Museum of American History presents Our Hospitality (John Blystone, 1923) starring the incomparable Buster Keaton and celebrating its 100th anniversary. The Andrew Simpson Ensemble premiers a new score by composer Andrew Simpson. On exhibit will be a bicycle featured in the film, the first movie prop ever collected by the Smithsonian. Museum curator Ryan Lintelman will introduce the film. Note that the film starts at 7:30pm--come early to view the props and talk with museum experts.

    National Museum of African American History and Culture
    On December 1 at 7:00pm is Stamped From the Beginning (Roger Ross Williams, 2023), a documentary based on the book by Dr. Ibram X. Kendi. A panel discussion follows the film with Ibram X. Kendi, Roger Ross Williams, Mara Brock Akil and others. On December 8 at 7:00pm is American Fiction (Cord Jefferson, 2023), based on the 2001 novel Erasure starring Jeffrey Wright. A panel discussion follows.

    Washington Jewish Community Center
    On December 14 at 7:30pm is the documentary Remembering Gene Wilder (Ron Frank, 2023). Stay for a post-show conversation moderated by Dan Glickman, former President of the Motion Picture Association. On December 10, 12, and 17 at 7:30pm is the documentary Beyond Utopia (Madeleine Gavin, 2022).

    Cinema Arts Theater
    On December 3 at 2:30pm is the documentary Remembering Gene Wilder (Ron Frank, 2023). Shown in cooperation with the JCC of Northern Virginia.

    Strathmore
    On December 7 at 7:30pm is How the Grinch Stole Christmas (2000) accompanied by the Baltimore Symphony Orchestra, Thiago Tiberio, conductor.

    French Embassy
    On December 5 at 7:00pm is Simone: Woman of the Century (Olivier Dahan, 2021) about the pioneering French political leader Simone Veil. A Q&A with actress Elsa Zylberstein follows the screening. On December 6 at 7:00pm is the documentary Noirs en France (Aurélia Perreau, 2022. A Q&A with Alain Mabanckou follows, along with a book signing and wine. On December 12 at 7:00pm is The Log [La Bûche] (Danièle Thompson, 1999), last in the series "Gastronomy and Movies." Registration is required.

    National Archives
    On December 7 at 7:00pm is Our Promise: 100 Years of the American Battle Monuments Commission (2023) a documentary about battle monuments around the world. It will also be available online.

    Cinema Arts Bethesda
    "Cinema Arts Bethesda" is a monthly Sunday morning film discussion series held at Landmark's Bethesda Row Cinema. On December 3 at 10:00am is Eight Mountains (Felix Van Groeningen and Charlotte Vandermeersch, 2022), an award-winning film from Italy.

    Breakfast is at 9:30am, the film is at 10:00am and discussion follows, moderated by Adam Spector, host of the DC Film Society's Cinema Lounge and author of the column "Adam's Rib." A season pass is available.

    The Avalon
    For "100 Years of Cinema Magic" is Singin' in the Rain (Stanley Donen, 1952) on December 5 at 7:30pm.

    On December 6 at 7:30pm is Un + Une (Claude Lelouch, 2015) with actress Elsa Zylberstein in attendance for Q&A. Part of the "French Cinematheque" series.

    On December 13 at 8:00pm is Subject (Camilla Hall and Jennifer Tiexiera, 2022), a documentary about the effects of being a subject of a documentary. Part of the "Avalon Docs" series.

    A filmed play "Romeo and Juliet" from the National Theater Live is on December 10 and 14 at 10:30am.

    Italian Cultural Institute
    On December 4 at 6:00pm is Callas Forever (Franco Zeffirelli, 2002) with Fanny Ardant as Maria Callas.

    Library of Congress
    The Mary Pickford Theater shows two Pre-Code films on December at 7:00pm: Loose Ankles (Ted Wilde, 1930) stars Loretta Young and Douglas Fairbanks Jr. and Union Depot (Alfred E. Green, 1932) stars Douglas Fairbanks Jr. and Joan Blondell.

    Landmark's E Street Cinema
    "Retro Replay" is a series of classic films shown Tuesdays at 4:00pm and 7:30pm (note that the times may vary). This month's theme is "'Tis the Season." On December 5 is Scrooged (1988) starring Bill Murray and on December 12 is Rare Exports: A Christmas Tale (2010).

    Landmark's E Street Cinema
    "Filmmaker Focus" is a four-film retrospective of Yorgos Lanthimos. Films are shown Wednesdays November 15-December 13. On December 6 is The Killing of a Sacred Deer (2017) and on December 13 is The Favorite (2018).

    Landmark's E Street Cinema
    "Chez Artiste" presents classic films on select Wednesdays. December's theme is "Arthouse Holiday." On December 6 is Fanny and Alexander (Ingmar Bergman, 1982) and on December 20 is Holiday Affair (1949).

    Kennedy Center
    On December 10 at 3:00pm is Wild Style (Charlie Ahearn, 1982), considered to be hip hop's first motion picture. On December 17 at 3:00pm is the animated The Nightmare Before Christmas (Henry Selick, 1993).

    Atlas Performing Arts Film Series
    On December 3 at 4:00pm is The Merry Widow (Erich von Stroheim, 1925) starring John Gilbert and Mae Murray with live music by Andrew Simpson.

    Old Greenbelt Theater
    "Reel Magic of the Holidays" is a series of holiday favorites. On December 1 at 7:00pm is the animated The Grinch (2018); on December 9 at 1:00pm is Elf (2003); on December 16 at 1:00pm is It's a Wonderful Life (Frank Capra, 1946) starring Jimmy Stewart; and on December 21 at 8:00pm is Die Hard (1988).

    For the "Monday Matinees" series is The Magnificent Ambersons (Orson Welles, 1942) on December 4 at 1:00pm and December 7 at 8:00pm.

    Alden Theater
    This month's foreign film is Three Wishes for Cinderella (Václav Vorlícek, 1973) from Czechoslovakia on December 7 at 1:00pm and December 13 at 6:30pm.

    The Family Performing Arts movie for December is The Magic Flute (Julie Taymor, 2006, a Met Opera Production), on December 21 at 1:00pm sung in English.

    Angelika Film Center Mosaic
    For the "Angelika Classic" series is Gremlins (1984) on December 4 7:00pm

    "Four Weeks of Christmas" (Wednesdays at 7:00pm) continues in December with Elf (2003) on December 20; The Holiday (2006) on December 6; and It's a Wonderful Life (1946) on December 13.

    The annual "Pajama Party" series presents films on Saturdays and Sundays at 10:00am. On December 2 and 3 is Elf (2003); on December 9 and 10 is The Grinch (2018); and on December 16 and 17 is Polar Express (2004).




    FILM FESTIVALS


    Gala Hispanic Theater Film Festival
    This year's edition of seven films runs from November 29 to December 3. Titles remaining in December are Martinez (Lorena Padilla, 2023) from Mexico with Q&A and a reception after the show on December 1 at 7:00pm. On December 2 at 4:00pm is A Woke Up with a Dream (Pablo Solarz, 2022) from Argentina/Uruguay. On December 2 at 7:00pm is A Film About Couples (Natalia Cabral and Oriol Estrada, 2021), a comedy from Dominican Republic. On December 3 at 4:00pm is Victims of Sin (Emilio Fernandez, 1951), in a new 4K restoration, from Mexico. The series ends on December 3 at 7:00pm with Trigal (Anabel Caso, 2022) from Mexico. A series pass is available.

    AFI European Union Film Showcase
    "The 2023 AFI European Union Film Showcase" (November 30–December 19), in its 36th year, brings international film festival award winners, European box office hits and debut works by promising new talents, plus many countries' official Oscar submissions for Best International Feature Film. The Opening Night film is The Taste of Things from France and the Closing Night film is Creatura from Spain. All 27 EU countries are represented. See the website for passes, film titles, and more information.




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